Shot on camera or made with AI
Get your film
in front of people
who fund films.
Put your proof-of-concept somewhere it opens like a private screening. Gate the script and the numbers behind an identity check and a signed NDA. See exactly who looked, and for how long.
Free to build, no card. Publishing asks you to verify your own identity once, which is why nobody in the Arena is anonymous.
You have the clips. Not the money to finish.
What you have is proof: a test scene, a trailer for something that doesn't exist yet, a look nobody can argue with. That is genuinely the hard part, and it's the part most projects never get to.
What you don't have is a way to put it in front of someone who writes cheques. Right now that means a link to a folder, or a deck attached to an email, and then nothing. You don't know whether it was opened, forwarded, skimmed for ten seconds, or read twice. You don't know who has your script.
That isn't a marketing problem. It's a custody problem, and it's the reason serious money hesitates on an unrepresented project.
How it works
Build the pitch
A guided wizard takes what you already have, the clips and the logline and the look and the numbers, and lays it out so it reads like a studio put it together rather than a shared folder.
Decide who gets in
Keep a front room anyone can see. Put the script, the numbers and the cap table behind an identity check, a signed NDA, or your own approval. Per room, not per pitch.
See who read it
Every visit is on the record: which person, which room, how long they stayed, and where they stopped. You follow up knowing what they actually looked at.
Get funded
When someone is ready to talk they book time with you from inside the pitch, or send terms through it. Whatever you agree is between you and them; our part is making sure the right person reached the right room, and that you can prove it.
One pitch. Rooms you control separately.
A pitch isn't one document with one audience. The logline and the trailer want to travel. The screenplay, the budget and the company structure do not.
So a pitch is a set of rooms. Each one decides for itself who gets past the door. A locked room ships no content at all, not even the titles of what's inside.
You always know who's on the other side
Identity verification
A visitor can be required to pass a government-ID check before a gated room opens. You see a verified name, not an alias.
Sign before viewing
Attach your own NDA or option agreement. The room stays shut until it's signed, and the signature is kept with the pitch.
Admit automatically, or by hand
Let anyone who clears your requirements straight in, or hold every request until you approve it yourself.
Dwell analytics
Per room: unique visitors, time inside, and where attention dropped. The funnel from opened, to verified, to signed, to admitted.
Revoke at any time
Access is a grant, not a link you can never take back. Withdraw it and the room closes for that person.
You pay for the checks
Verification is billed to you against a per-pitch budget you set, so a visitor is never asked for money to read your film.
What you can put inside
- Video playlist
- Trailer, sample scene, proof-of-concept: as many as the story needs.
- Stills gallery
- Concept art, frames, lookbook, location plates.
- Script
- Full screenplay or a summary, readable in-page or as a PDF.
- Business plan
- Pull in an OpenLuxe business plan instead of rewriting it.
- Cost breakdown
- Embed a live Brickverce budget: line items, not a flat number.
- Storyline deck
- A swipeable visual deck for people who won't read a PDF.
- Meeting scheduler
- Let a reader book time with you from inside the pitch.
- Contact form
- A ready-made “get in touch if you're interested” form.
- Marketing site
- Attach a full site or link page if the project already has one.
Send it to the people you chose. Or let them find you.
Share your pitch as a private link and it stays out of search and out of the Arena, reachable only by the people you sent it to.
Or list it in the Pitch Arena, where people looking for projects filter by budget, entry ticket, equity, genre and how close a film is to closing. Listing is a separate switch from visibility, and you can flip it off whenever you like.
Storyline
Rather be pitched than read a page?
Three minutes, swipeable, and it makes the whole case for you rather than listing what the product has.
See every storyline
Put the work somewhere it can be taken seriously.
Takes about ten minutes to get a first pitch standing up.
