For agents and managers
The incumbent charges your agency by the month to submit the people you already represent. Here the profiles are free, the roster is yours, and the material you are not ready to publish can still be visible to you and to nobody else.
Free for representation. Roster tools are thinner than the casting side today — read on.
01 What the incumbent charges you for
You are paying to do your own job.
- The seat fee
- A monthly charge for the agency, on top of what each of your performers already pays to be listed.
- The submission fee
- Charges to submit, so the cost of putting somebody forward scales with how hard you work for them.
- The lock-in
- A roster stranded inside a product you rent, which you lose the shape of the day you stop.
- All or nothing
- No way to hold a look back: material is either published or it does not exist.
On OpenFlix
Your roster sits inside the platform where films are funded, made and released, not in a directory attached to nowhere. Being where the work starts is worth more to your performers than the price. The price is simply zero: no seat fee, no submission charge, no listing fee.
02 How it works
- 01
Your performers keep their own profiles
Each one is theirs, free, and stays theirs. You are not buying seats and they are not paying to be listed.
- 02
Representation-only material
Visibility is set per item, not just per profile — so an unpublished look, a rough clip or a document can be visible to representation and to nobody else.
- 03
They are in the same search casting runs
Market, union, played age, languages and controlled-vocabulary skills. A profile with the skills filled in is a profile that comes back in the filter.
- 04
Availability in one place
Dates live on the profile rather than in a thread, which is the question you answer most often.
- 05
Minors handled properly
Guardian consent gates a young performer's profile, and permits and trust paperwork sit on the secure documents rail rather than in the media library.
03 The shape of it
Agency cost
Nothing
No seat fee, no submission charge, no listing fee for your performers.
Media visibility
Per item
Representation-only is a real setting, not a workaround.
Who owns the profile
The performer
Which is why there is nothing to migrate and nothing to lose.
Minors
Consent-gated
Private until a guardian consents; permits on the secure rail.
04 Straight about what is not here yet
What works today is finding people: search, filter, save the search, come back to it. Posting a role, taking submissions, running an audition round and making an offer are being built and are not here yet — so this page sells the part that works and names the part that does not.
To be exact about credits: today you type your resume, the same as anywhere else. What is different is that a credit has a place to point at — a real title on OpenFlix — and a credit that came from a booking here will be marked as verified rather than taken on trust. Booking through OpenFlix is not switched on yet, so no credit carries that mark today, and the page will not pretend otherwise.
05 Questions
What do agency tools actually look like today?
Thinner than the casting side, and it is worth saying so plainly. Your performers hold their own free profiles, you can see and work on material marked representation-only, and they appear in the same searches casting runs. A dedicated agency console — one roster view, bulk submission, shared notes — is not built. If you are choosing on tooling alone today, the honest answer is that the reason to be here is the directory and the price, not the console.
Does the agency pay anything at all?
No. Not a seat fee, not a submission fee, not a listing fee for the people you represent. The hiring side pays for the casting workflow being built on top of the directory, which is the only reason the supply side can be free.
Can I submit my roster for a role?
Not yet — there is nothing to submit to, because role posting is still being built. Today the value is that your performers are findable in a search casting actually runs, with the reel and the clips playing on the page.
Who controls the profile, me or the performer?
The performer. It is their account and their page, and it stays theirs if they leave you — which is the same reason there is nothing for you to migrate when they join you. Per-item visibility is what gives representation a real working relationship with the material without owning the profile.
Do my performers have to leave their current service?
No, and there is no exclusivity to sign. It costs them nothing to also be here, and a public profile is a page with its own address that you can paste into an email like any other link.
06 Not you? The other two
Go
Stop paying to be submittable.
The profiles are free, the search is real, and the material you are holding back stays held back. You will be asked to make an account first.
Free for the agency and for every performer you represent.
Storyline
Rather be pitched than read a page?
Three minutes, swipeable, and it makes the whole case for you rather than listing what the product has.
See every storyline