
Your family, in the background of a scene
Everyone in one shot, on a real set, in a film that goes out to strangers.
Put them in a sceneIn-film placements
A line of dialogue. Your face on a character. Your home as a location. Buy a way into a film that is actually being made — or say what you want, and let filmmakers bid for it.
Somebody you love, on screen, in something that actually gets made.

Everyone in one shot, on a real set, in a film that goes out to strangers.
Put them in a scene
Not a cameo they blink and miss. A face on screen that everyone recognises.
Build the characterA company name that scrolls at the end of a film, instead of another plaque.
Credit the team
Their name, said out loud by an actor. It outlasts every bottle of wine.
Name a characterA house, a shopfront, a product, a sentence. All of it can be in the film.
A house that has been in a film is a house with a story when you come to sell it.
Offer your homeThe sign, the window, the door somebody walks through. Named and visible.
Put your shop on screenUsed on camera by a character, in a scene people rewatch.
Place your product
You write it, an actor performs it, and it stays in the finished cut.
Write the lineEvery kind of placement filmmakers sell on OpenFlix.
A character in the film is built to look like you.
from about $7,500
Request thisYou appear on camera in a scene as a background performer.
from about $2,500
Request thisYour voice is used for a character, a caller, or an off-screen line.
from about $4,500
Request thisA character in the script carries your name.
from about $3,000
Request thisYour animal appears on screen as a character's companion.
from about $1,800
Request thisA scene is shot at your house, apartment or property.
from about $6,000
Request thisYour business appears on screen, named and visible.
from about $10,000
Request thisYou pick a town, landmark or kind of place a scene is set in.
from about $3,500
Request thisSomething you own or made is used by a character.
from about $1,500
Request thisYour photograph sits on a shelf or desk in the background.
from about $750
Request thisYour mark appears on a costume, uniform, sign or vehicle livery.
from about $8,000
Request thisA character reads, holds or plays something you published.
from about $1,800
Request thisYour words appear as a headline, poster or shopfront sign.
from about $1,200
Request thisYour message is the text a character reads on their phone.
from about $850
Request thisA letter, note or card in the film is in your hand.
from about $950
Request thisYou or someone you name appears in the end credits.
from about $500
Request thisYou are the voice on a car radio, tannoy or news broadcast.
from about $2,750
Request thisNot a certificate or a thank-you in the credits. A line somebody says, a character built to look like you, your street in the background of a scene.
Accepting commits the filmmaker to putting it in the finished film. If a cut takes it out, they reverse it and you get every penny back — there is no consolation reel.
You pay a deposit to be considered. The rest is only charged if the filmmaker accepts, and a decline refunds the deposit in full with a reason you can read.
Two scenes, one line, fifteen seconds on screen. Whatever they promise is frozen the moment you pay, so editing the listing later cannot change your deal.
Placements fund the production directly. The filmmaker is paid after a short hold, and you are buying a thing rather than making a donation.
Open a request saying what you want and what you will pay, and filmmakers bid for it. You pick the film, not the other way round.
Pick a kind of placement and a budget range, or buy something a filmmaker has already listed.
They bid, or they accept your submission. Only then is the rest of the money charged.
They mark it placed when it is in the cut. If it does not make the film, they reverse it and you get everything back.