In-film placements

Get into the picture.

A line of dialogue. Your face on a character. Your home as a location. Buy a way into a film that is actually being made — or say what you want, and let filmmakers bid for it.

Dream big. The movies are yours.

Somebody you love, on screen, in something that actually gets made.

A rooftop screening at dusk, people watching a film together under string lights

Your family, in the background of a scene

Everyone in one shot, on a real set, in a film that goes out to strangers.

Put them in a scene
A director’s field monitor on set, a performer framed on its screen

A character built to look like your friend

Not a cameo they blink and miss. A face on screen that everyone recognises.

Build the character
A clapperboard held up on location, names chalked across it

The whole team, in the credits

A company name that scrolls at the end of a film, instead of another plaque.

Credit the team
A camera operator filming a man in a camel coat on a city street

A client who gets named in the script

Their name, said out loud by an actor. It outlasts every bottle of wine.

Name a character

Your world, on screen

A house, a shopfront, a product, a sentence. All of it can be in the film.

  • A white modern villa with an open living room and a pool at midday

    Your home, shot as a location

    A house that has been in a film is a house with a story when you come to sell it.

    Offer your home
  • A shopfront with produce stacked under an awning

    Your shop, open in a scene

    The sign, the window, the door somebody walks through. Named and visible.

    Put your shop on screen
  • A wristwatch resting on a folded cloth

    Your product, in someone else’s hands

    Used on camera by a character, in a scene people rewatch.

    Place your product
  • A screenplay on a laptop screen, scene headings and dialogue, mid-sentence

    A line you wrote, said out loud

    You write it, an actor performs it, and it stays in the finished cut.

    Write the line

What you can buy

Every kind of placement filmmakers sell on OpenFlix.

  • Your face on a character

    A character in the film is built to look like you.

    from about $7,500

    Request this
  • A walk-on extra role

    You appear on camera in a scene as a background performer.

    from about $2,500

    Request this
  • A character's voice

    Your voice is used for a character, a caller, or an off-screen line.

    from about $4,500

    Request this
  • A character named after you

    A character in the script carries your name.

    from about $3,000

    Request this
  • Your pet as a character's pet

    Your animal appears on screen as a character's companion.

    from about $1,800

    Request this
  • Your home as a location

    A scene is shot at your house, apartment or property.

    from about $6,000

    Request this
  • Your business or storefront

    Your business appears on screen, named and visible.

    from about $10,000

    Request this
  • A setting you choose

    You pick a town, landmark or kind of place a scene is set in.

    from about $3,500

    Request this
  • Product or brand placement

    Your product is used or visible on screen.

    from about $15,000

    Request this
  • Your vehicle in a scene

    Your car, bike or boat appears on camera.

    from about $4,500

    Request this
  • Your artwork on a wall

    A piece you made hangs in a set.

    from about $2,400

    Request this
  • A prop or costume piece

    Something you own or made is used by a character.

    from about $1,500

    Request this
  • A framed photo in set dressing

    Your photograph sits on a shelf or desk in the background.

    from about $750

    Request this
  • Your logo on wardrobe or a vehicle

    Your mark appears on a costume, uniform, sign or vehicle livery.

    from about $8,000

    Request this
  • Your book or record on screen

    A character reads, holds or plays something you published.

    from about $1,800

    Request this
  • Write a line of dialogue

    A line you wrote is spoken by a character.

    from about $3,000

    Request this
  • Text on a sign or newspaper

    Your words appear as a headline, poster or shopfront sign.

    from about $1,200

    Request this
  • A phone screen message

    Your message is the text a character reads on their phone.

    from about $850

    Request this
  • A toast or dedication

    A character raises a glass to someone you name.

    from about $1,250

    Request this
  • Your handwriting on a prop letter

    A letter, note or card in the film is in your hand.

    from about $950

    Request this
  • A name in the special thanks

    You or someone you name appears in the end credits.

    from about $500

    Request this
  • Your music in the soundtrack

    A track you made plays in a scene.

    from about $9,000

    Request this
  • Your voice as a radio or PA announcement

    You are the voice on a car radio, tannoy or news broadcast.

    from about $2,750

    Request this
  • A sound you recorded

    Something you captured is used in the sound mix.

    from about $600

    Request this

Why it is worth doing

  • It is really you, in a real film

    Not a certificate or a thank-you in the credits. A line somebody says, a character built to look like you, your street in the background of a scene.

  • You are paid back if it does not happen

    Accepting commits the filmmaker to putting it in the finished film. If a cut takes it out, they reverse it and you get every penny back — there is no consolation reel.

  • Nothing leaves your card until they say yes

    You pay a deposit to be considered. The rest is only charged if the filmmaker accepts, and a decline refunds the deposit in full with a reason you can read.

  • The promise is in numbers

    Two scenes, one line, fifteen seconds on screen. Whatever they promise is frozen the moment you pay, so editing the listing later cannot change your deal.

  • Money goes to the film

    Placements fund the production directly. The filmmaker is paid after a short hold, and you are buying a thing rather than making a donation.

  • Or let them come to you

    Open a request saying what you want and what you will pay, and filmmakers bid for it. You pick the film, not the other way round.

How it works

  1. 1

    Say what you want

    Pick a kind of placement and a budget range, or buy something a filmmaker has already listed.

  2. 2

    A filmmaker says yes

    They bid, or they accept your submission. Only then is the rest of the money charged.

  3. 3

    You are in the film — or refunded

    They mark it placed when it is in the cut. If it does not make the film, they reverse it and you get everything back.

Films get made. You could be in one.