01
One link per person
The link identifies them, so nobody types a code. Revoke one and the other ten keep working.
For sales agents, reps and publicists
Know who opened it, and what they read.
You send a package into an inbox and hear nothing. That silence is not information. Send it as a link that belongs to one person and you learn when they opened it, which sections they read, how long they stayed, and whether they said yes.
One link per person. Revocable, one at a time.
FOR AGENTS AND PUBLICISTSMODULES 22REQUIREMENTS 104COST TO START 0
01 What you are working blind on
- A package sent to eleven buyers, with no way to tell the one who read it twice from the ten who never opened it.
- A screener link that gets forwarded, and no way to shut off one person without changing it for everyone.
- Press assets going out before the embargo because they lived in a shared folder.
- A deck that says one thing and a plan that says another, because they are different documents.
02 How it works
02
Read receipts that mean something
Not "opened". Which sections, in what order, for how long. A buyer who spent a minute on the city plan is a different conversation from one who bounced off the hero.
03
Assets by audience, and by date
A booker sees the poster and the trailer. A distributor who has accepted also sees the full press kit. A review asset stays sealed until the embargo lifts, with no cron to forget.
04
A screener that is listed, not handed over
They can see it exists and that it is watermarked. That is a different sentence from here is the film, and the difference is the whole point.
05
Yes, in writing
They accept on the page, and what they were shown at that moment is frozen. When somebody later remembers it differently, there is a record.
03 The read log
Silence is not information. This is.
The link belongs to one person, so every visit is attributed without anyone typing a code. Revoke one and the others keep working.
PACKAGE / SENT TO 42 OPENED / 1 ACCEPTED
Ada Reyes / The Music Box
Buyer / Roadside
Programmer / Alamo
Critic / embargoed assets
What they were shown when they accepted is frozen, so it can be shown again later.
04 Read a finished one
A booker on revenue share
The package sent to four people, one link each. Two opened it, one accepted on the page, and the read log shows which sections they actually spent time on. A boutique booker gets better terms than a first-time filmmaker cold-calling a chain, because the theatre already knows them.
05 The same release, from another chair
06 Questions people actually ask
Is this a data room?
It is narrower and less annoying. There is no folder tree and nothing to organise. It is the film's own page, with the parts each person is allowed to see.
Will buyers resent being tracked?
They are told the link is theirs. Every serious sales platform does this; the difference here is that it is the same page the filmmaker maintains, so the deck and the plan cannot disagree.
Can I use it for press?
Yes. Press is an audience like any other, and the embargo date is the reason the audience list exists.
Storyline
Rather be pitched than read a page?
Three minutes, swipeable, and it makes the whole case for you rather than listing what the product has.
See every storylineSend a package.
Build one, send it to yourself, watch what it records. You will be asked to make an account first.
